Something I’ve always admired about different bloggers I follow is their consistency with making photography a part of their daily life. Not necessarily behind the scenes of a shoot or out on assignment, but a simple portrayal of enjoying lunch with friends or a walk in the park.   So on my yearly trip up north with loved ones, I decided to challenge myself to create a few images that really capture that tradition for me. (And I didn’t even use my phone!) Here are my favorites with thoughts to consider the next time you tackle this particular niche.   1) Put some life in it.   2) Hone in on the details. 3) Try to share a specific mood.   4) Capture humor.   5) Don’t forget the food & drinks.   6) Make some unconventional portraits.   7) Refrain from being a perfectionist.   8) Find an interesting texture.   9) Show an overview of the place.   10) Get in there yourself. May the light be with you.           Follow Save
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  This niche is closely related to other specialties such as lifestyle & documentary photography, but it differs in a major way. Typically subjects are strangers who you just happen across out and about, not models or clients hired for the job. There are two methods street photographers usually take: conspicuous & covert.   Conspicuous Fearlessness is a must when going this route. Much like asking someone out, the photographer must be prepared for the chance of rejection. A help would be to compliment the person, tell them you’re working on a project, and/or have a business card ready to hand over with your email so they have a way to reach out and ask about the photo (then concurrently, you will have a way to send it to them.) You have a chance to guide this individual and if they’re willing, they can even do different poses for you.   Covert This is the method I go for because talking to strangers is still nerve racking to me. Stealth is a key skill with this route. Blending in with your surroundings, or going to an already bustling area where people are focused on what they’re doing will yield more […]
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